How to Write a Logo Rationale 16

Sep 15, 2009 / Erik Peterson

 

How to Write a Logo Rationale

When presenting logo concepts to a client it is often productive to have written rationales to accompany each concept. This can help you, the designer, clarify your thoughts before getting the concepts in front of your client. The rationales will help your client to better understand the concepts from your point of view (especially if you are not there in person to present the concepts to your client). In turn, this will help your client make an educated decision when picking their final logo. All that effort will also help you to better defend and explain concerns and questions that may arise during the logo revision process.

Here are some topics to consider covering when in your writing rationales. In going through this process you may even see some areas for improvement in your concepts. If possible, run your draft rationales by a non-designer and get their feedback.

  1. Symbolism: Clarify and identify the meanings behind the icons you chose to incorporate into the design. Go into as much detail as you feel necessary, the history, cultural relevance and so on.
  2. Style: Why did you choose this style for the logo? Did you give it a distressed look because the mark is for an outdoors company, or is the logo clean and orderly because it’s for a closet organization company, etc.
  3. Typography: Explain why you chose the typefaces used in the logo. How do they relate to the rest of the design and the company it represents?
  4. Relationship: How does the concept relate to the company’s personality, goals, vision and values? Hopefully you learned a lot about the company in your creative brief process. You can read more about creative briefs in the article “The Creative Brief: Questions to Ask Before Designing a Logo”.
  5. Color: Explain the color choices. Why did you choose them? What does the color represent? How does the color choice relate to the business? Sometimes color isn’t a part of the first round of concepts, so whenever color is does get introduced it’s important to add it to your rationale. You can read more about color psychology here in the article “Color Psychology in Logo Design”.

A written rationale is a good tool for communication but don’t forget to listen to your client. Make sure you hear their opinions and questions. You likely know a lot more about design than your client, but they know their target audience and company better than you. Translate those ideas into an understanding of what those people’s problems really are. In other words So when your client says “Can we add x to the logo?” take the time to understand what it is that they are trying to accomplish with their request.

Rationale Examples

I thought it would be useful to see show some examples of rationales I have written for various logo concepts I’ve have presented to clients.

The Media Backpack Logo Concept Rationale

The Media Backpack Logo Design Concept

The Media Backpack logo portrays the spirt of the outdoors through the mountain and hiker icons. The hiker is climbing and testing his/her skills to achieve a goal. Similarly, the readers/visitors to The Media Backpack will be educating and testing themselves in order to produce the various media required by their job. They may not have all the skills they need to reach their goal, but the media backpack will be there to help them along their arduous climb.

The clean, hard and angular lines of the ‘m’ icon and mountain compliment the typeface selection. The image of the hiker is a visual stand-in for each and every user of the site as they climb to the top of their virtual mountain.

D&D Studios Logo Concept Rationale

D&D Studios Logo Design Concept

Because D&D Studios is a professional quality recording studio in Nashville, TN primarily targeting churches, young bands/artists that are trying to develop a demo this logo needs to stand out from the competition.

This concept explores the concept of power and electronics and their association to the recording industry. The cord and plug icon is unique and memorable among the competition and creates a playful feel to the mark. The plug icon communicates the concepts of electric or unplugged which are common terms in the music industry. The end of the plug displays the D&D monogram which ties into the “D&D Studios” below. The typography has been selected to be simple and therefore not compete with the icon.

Like what you read here? Subscribe to the Logo Critiques News Feed.

We enjoy your comments

16 Comments so far. Keep 'em Coming.

#1

By sry

09.16.2009 at 10:27 AM

sry Profile Image

sorry, couldn’t resist
http://bayimg.com/image/eadpjaaco.jpg

#2

By xpez

09.17.2009 at 05:59 PM

xpez Profile Image

For all of you that don’t know any better.

Keep all discussions of style out of the conversation about your work.

Let the work be its own style- a visual manifestation of an idea.

Clients have been known to kill an idea just because they dislike a particular style. Typically, they are not sophisticated enough to parse a visual relationship between their logo and design history. They do have a pedestrian’s understanding of art history from the local poster shop that will work against you.

The only exception would be if the style was directly related to the subject of the logo. -like a Shakespeare Festival….

Of course, rules can be broken, but for people just starting out, relying on historical references to define your work is a crutch and usually results in uninspiring work.

Stick to the ideas of the logo wherever that may lead you.

#3

By Most Interesting Ideas

09.18.2009 at 09:17 AM

Most Interesting Ideas Profile Image

Very functional topic. Thanks a lot!

#4

By Sandra Vanhooser

09.18.2009 at 01:26 PM

Sandra Vanhooser Profile Image

This is incredibly helpful when trying to win a client.  This type of treatment makes you look professional and knowledgeable.  Thank you for the example Rationales.  They are incredibly helpful to designers.

#5

By Bebop Designer

09.18.2009 at 07:33 PM

Bebop Designer Profile Image

What a brilliant and useful post. Thanks for sharing.

#6

By Attitude Design | Graphic Design Portfolio

09.21.2009 at 07:51 AM

Attitude Design | Graphic Design Portfolio Profile Image

Thanks for a great post - some really useful advice.

#7

By Jacob Cass

09.21.2009 at 08:27 PM

Jacob Cass Profile Image

An interesting and original article that hasn’t really been touched on. I would also add “show the logo in context” - it’s a lot easier to show how the logo will work in relation with the whole identity.

This quote from Paul Rand comes to mind:
“Canned presentations have the ring of emptiness. The meaningful presentation is custom designed—for a particular purpose, for a particular person. How to present a new idea is, perhaps, one of the designer’s most difficult tasks. This how is not only a design problem, it also pleads for something novel.”

#8

By Ebi Atawodi

09.22.2009 at 04:11 AM

Ebi Atawodi Profile Image

Very great advice.

@Jacob: Presentation and context are definitely king. I was just scrolling through comments to leave some Paul Rand inspiration.

Paul Rand has some great Logo Rationale inspiration on his website here - http://www.paul-rand.com/identity.shtml if you look at the NeXT Logo Presentation or The Limited - thats a great resource for inspiration!

#9

By Johnson Koh

09.22.2009 at 11:27 PM

Johnson Koh Profile Image

Good article. Learnt alot from the points mentioned. Thanks smile

#10

By Detroit Web Design

09.23.2009 at 08:57 AM

Detroit Web Design Profile Image

Another reason to provide a written overview of the logo is because they will invariably show it to other people (hopefully only a few. Do tell them to limit that audience to people who are intimately familiar with the logo OBJECTIVES.)

When you leave the logo for client review, if possible, add the description under the logo in an unobtrusive manner. This way, when those other people see the logo they’ll also see the description and can give a relevant opinion.

#11

By imac

10.03.2009 at 12:27 AM

imac Profile Image

Great article. Thanks!

#12

By Bruce Colthart (@bccreative)

10.15.2009 at 02:53 PM

Bruce Colthart (@bccreative) Profile Image

A good reminder that subjectivity and an “artsy” attitude will translate as naivete to a savvy client. Objective articulation, on the other hand, of any presentation (not just logos) is a must! Even if your rationale will only be shared verbally, it helps to brainstorm, *write* out your thoughts, and PRACTICE your pitch (which should, of couse, take into account your client’s mission, concerns and desires).

Great advice too by Jacob and by Detroit Web Design in comments!

I just submitted a logo proposal yesterday for a client whom I’ve done other work for, and in my proposed schedule I made clear that concept presentations *must* have final decision makers present (to reduce my risk of being reinterpreted). But of course I have no definite control over that Authority sharing my ideas with friends or colleagues.

I think I should assume that my presentation will travel without me, so perhaps packaging it with supporting text and visuals would be prudent from now on.

#13

By Yaritsa

10.28.2009 at 08:21 AM

Yaritsa Profile Image

This is a very helpful post. Sometimes we focus on making things “pretty” and forget that a client will not only be looking at aesthetics, but also marketing, and rationale. Good to remember!

#14

By Vector Man

11.02.2009 at 06:13 AM

Vector Man Profile Image

Thanks for interesting and useful post! I have had a similar task recently. Very important show how the logo will work in real conditions.

#15

By Shabbir Hussain

11.22.2009 at 05:40 AM

Shabbir Hussain Profile Image

Thanks for posting about something we designer fail to take note of. A challenging project had a pessimist client. Design Rationale played a major role in the client selecting a design without any unnecessary comments.

#16

By logotyp

12.27.2009 at 09:08 AM

logotyp Profile Image

very useful, thanks


Leave a Comment:

Name:

Email:

URL:

Comment:

Please answer the question below:

Yellow and Blue make? (5 character(s) required)

Remember my personal information

Notify me of follow-up comments?

Support Our Sponsors
Illustrator CS4 Advertise Here Books from Amazon Theme Forest Callpod Inc. 500 Premium Business Cards only $1.99 Unlimited Online Backup $4.95

Follow me on Twitter

 Followers
@logocritiques / Posted: 02.16.2010 at 11:00am
logocritiques profile image
"Do not quench your inspiration and your imagination; do not become the slave of your model." - Vincent van Gogh
@logocritiques / Posted: 01.13.2010 at 11:00am
logocritiques profile image
"To design is to communicate clearly by whatever means you can control or master." - Milton Glaser
@logocritiques / Posted: 01.06.2010 at 1:00pm
logocritiques profile image
"There is always a heavy demand for fresh mediocrity. In every generation the least cultivated taste has the largest appetite." Paul Gauguin
@logocritiques / Posted: 11.23.2009 at 11:00am
logocritiques profile image
"Never tell people how to do things. Tell them what to do and they will surprise you with their ingenuity." - George Smith Patton
@logocritiques / Posted: 11.05.2009 at 3:00pm
logocritiques profile image
"Criticism should not be querulous & wasting, all knife & root-puller, but guiding, instructive, inspiring" - Ralph Waldo Emerson